- New products
- Second Hand
- Special offers
- Leadmusic Exclusives
- Electric Guitars (145)
- Effect Pedals and Multi Effects (264)
- Guitar Amplifiers (74)
- Basses (28)
- Bass Amplifiers (22)
- VacuumTubes for Amplifiers (12)
- Acoustic Instruments (77)
- Accessories (62)
- Computer & Software / PA-Equipment & Microphone (55)
- Vintage & rare instruments (59)
- ADA
- AKG
- Altman Guitars
- Amistar resophonic
- Anasounds
- Bacci Guitars and Basses
- Beyerdynamic
- Boss
- Bourgeois
- Charvel
- Collings
- Cordial
- D’Addario
- Darkglass Electronics
- DB-11 Decibel Eleven
- DR Strings
- Dunable Guitars
- EBow
- Eich Amplification
- Electro-Harmonix
- Elixir
- Elmwood
- Elrick Bass Guitars
- Empress
- Epiphone
- Ernie Ball
- EVH
- Fender Guitars
- Finger Ease
- Framus
- George L’s cables
- GFI System
- Gibson
- GigRig
- Gretsch Guitars
- Greuter Pedals
- Gruvgear
- Harvest
- HeadRush FX
- Ibanez
- IK Multimedia
- ISP Technologies
- Jackson
- Jacques Stompboxes
- Jetslide Guitar Slides
- Karol Guitars
- Kemper Amps
- Kernom
- König&Meyer ( K&M )
- Le Pape Steelguitars
- Lehle
- Leho Ukulele
- Line 6
- Lowden
- Manson Guitar Works
- Markbass
- Marshall
- Martin Guitars
- Maurice Dupont
- MI Audio Effects
- Mission Engineering
- Modtone Effects
- Mono case
- Mullard
- MXR
- Neural DSP
- Oasis
- Peterson Tuners
- Pre-War Guitars
- Preston Thompson Guitars
- PRS Guitars
- Radial
- Raven Straps
- RMC
- Ruokangas Guitars
- Sabolovic
- Sandberg Guitars
- Santa Cruz
- Schertler
- Sho-Bud Pedal Steel Guitars
- Shure
- Squier
- Sterling by Music Man
- String Swing
- Strymon
- Suhr Guitars
- Super-Vee
- Sustainiac
- T-REX
- Taylor Guitars
- TC Electronic
- Terry Rogers Guitars
- Tom Anderson
- Truetone
- Tung Sol
- Two Notes
- Victory Amplification
- Visual Sound
- Vovox
- William King
- Xotic Effects
- ZOOM

The MXR Rockman X100 Analog Tone Processor revives the signature sonic character of Tom Scholz’s celebrated headphone amp and signal processor in pedal form, offering crystalline cleans, crunchy harmonics, and shimmering modulation.
In 1982, Tom Scholz—visionary guitarist and founder of pioneering hard rock band Boston—designed and released the Rockman X100 headphone amp through his electronics company Scholz Research & Development (SR&D). But it was more than just a headphone amp—with recording console connectivity and several tone tweaking features and built-in effects, the X100 became the secret weapon in the studio that would go on to define the polished, chorus-laden sound of 1980s arena rock.
A key component of the original X100’s sound was a complex compression circuit for keeping the signal clear whether clean or dirty. The MXR Rockman X100 Analog Tone Processor comes equipped with the same circuit, tuned for a slow release on clean modes and a fast release on dirty modes. The overall amount of compression is tied to the Input Gain level—more input gain means more compression.
Like the original, the Rockman X100 Analog Tone Processor features four different presets, selectable via the MODE button: two differently equalized clean modes with high-power sustain and two distinctively gritty dirty modes. The default setting, CLN2 mode, provides a clean, crystal clear tone, while CLN1 mode offers a mid-focused EQ curve for a tight, punchy sound. On the dirty side, Edge mode boasts moderate clipping that’s highly sensitive to Input Gain adjustments and cleans up nicely at low guitar volume levels. Distortion mode delivers high-energy overdrive and sustain that’s perfect for easy, fluid lead tones.
Specifications:
- Pedal-sized revival of Tom Scholz’s 1982 Rockman X100
- 2 clean and 2 dirty tone presets
- Dedicated volume and input gain sliders
- Complex compression circuit
- Chorus modulation courtesy of an original bucket brigade chip
- off-board switching and stereo mode
- 9VDC power supply incl.