Filters, Wah Wah & Vocoder – Leadmusic https://leadmusic.com/en Tue, 04 Feb 2025 07:52:20 +0000 en-US hourly 1 https://wordpress.org/?v=5.6.14 Zuta FRED Filter-Resonance-Envelope-Distortion https://leadmusic.com/en/produit/zuta-fred-filter-resonance-envelope-distortion/ Tue, 04 Feb 2025 07:51:02 +0000 https://leadmusic.com/?post_type=produit&p=37990 Meet FRED = Filter + Resonance + Envelope + Distortion. FRED is amplifying, twisting and swirling frequencies in sometimes chaotic ways and will sometimes lead your tone into many unpredictable directions. FRED is very sensitive to what you feed it with. It was originally designed for Electric Bass Guitar but turned out to be fun to play with any signal coming into it. Chasing the perfect tone is a never-ending task and when the technical side is satisfied, the aesthetics are in line. This pedal is a creative Envelope Filter and with its wacky sound color it will spice up your guitar tone by adding a certain dose of vocal characteristics. For the grit lovers an overdrive signal path is included and accessed by pressing the MOD button, which in combination with the Envelope Filter generates pronounced distortion, especially in the bass frequency range.

 

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Empress ZOIA Euroburo https://leadmusic.com/en/produit/empress-zoia-euroburo/ Fri, 03 Sep 2021 13:59:19 +0000 https://leadmusic.com/?post_type=produit&p=30570 ZOIA Euroburo is an open canvas to paint your sonic ideas. FM synthesis, CV tools, MIDI tools, audio effects, interface options – all at your fingertips. The Euroburo transforms the rigmarole of interfacing a studio full of music gear and condenses it into one handy little box, which you can then interface with your own studio full of music gear. For those unfamiliar with the original, ZOIA hosts a collection of virtual modules ranging from oscillators, filters and effects to simple utilities, envelope generators and logic that can be patched internally in countless ways to create synthesizers, effects processors, sequencers, and so on. This made the original ZOIA a dream for pedal users: with a little bit of learning, it can be virtually any sort of pedal you wanted and more.

Of course, that sort of approach proved to be hugely attractive to synthesizer users: and because of its thorough options for internal control and even external MIDI control, many people use ZOIA as a full synthesizer as well as an effect processor. Naturally, we wondered from the start what a modular iteration of the ZOIA might look like…and now it seems that it is on the way. Euroburo sports four CV inputs, and an equivalent amount of control voltage outputs (that alone is a significant upgrade from the pedal). There is also a pair of stereo audio I/O, and a dedicated headphone output. To top it off, the module is equipped with MIDI input and output.

With such an amount of connectivity across different formats, the power of ZOIA Euroburo is immediately apparent. It is easy to imagine this module in a variety of setups, though there is still more to be said about the richness, depth, and expandability of its own inner world. Though already hugely impressive, the collection of virtual modules that ZOIA and Euroburo come with is far from complete. There are plans for new modules to be added. There is a sampler module on the way, and who knows what else is in development already. Actually, Empress Effects use a voting system on their website to determine which modules or features will be added to the pedal/module next—so as a user, you get to participate in shaping the evolution of the product. Euroburo has two additional assignable buttons that can change in functionality depending on user preferences, ensuring that some controls will always be there even when you jump to the next patch.

Speaking of which, the module can host up to 64 patches simultaneously, and switching between them is super easy and fast. It only takes a button-press to transform Euroburo from synth to drum machine to effects processor. This makes it an uncommonly powerful performance tool—as pointed out in the video chat, presets in the Zoia are much more than just presets on a synthesizer: presets in the Zoia can make it an entirely different type of instrument or processor altogether. So you can imagine just how powerful a cleverly-programmed Euroburo or two could be: especially since the stereo I/O can be treated completely independently, you could wrench an awful lot of functionality out of a very small setup.

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Xotic XW-1 Wah https://leadmusic.com/en/produit/xotic-xw-1-wah/ Thu, 23 Apr 2015 11:52:40 +0000 https://leadmusic.com/produit/xotic-xw-1-wah/ Xotic Effects Wah XW-1 is based on the Holy Grail wah, 1967-1968 Italian-built Clyde McCoy Wahs. With the Xotic XW-1 you don’t get one or three sounds in one pedal, you get unlimited sounds with unique controls that shape and contour your sound the way you hear it. The adjustability and flexibility of the XW-1 makes this one of the most versatile wah pedals available today.

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EH Talking Machine https://leadmusic.com/en/produit/eh-talking-machine/ Sat, 31 Jan 2015 13:00:43 +0000 https://leadmusic.com/produit/eh-talking-machine/ The programmable Stereo Talking Machine Vocal Formant Filter produces creative vowel-shaping that is controlled by the player’s dynamics. Nine selectable Voices deliver vowel sounds such as AH-OO and OW-EE, as well as Bassballs and wah-type dynamic filters. The Voices can be shaped with individual Attack and Decay controls while Sensitivity adjusts the envelope response. The resulting effects mimic characteristics of human speech and create sounds that are both organic and harmonically rich.

As its name implies, the Stereo Talking Machine possesses true stereo outputs as well as an effects loop. An expression pedal Input provides realtime control over filter sweeps, while nine preset locations let you store and instantly recall favorite programs. The Stereo Talking Machine delivers compelling sound-shaping capability with advanced control.

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Xotic Robotalk RI reissue RT-1 RI https://leadmusic.com/en/produit/robotalk-ri-reissue-rt-1-ri/ Sat, 14 Apr 2012 12:46:59 +0000 https://leadmusic.com/produit/robotalk-ri-reissue-rt-1-ri/ Xotic Effects began bringing the funk with the original Robotalk. A dynamic envelope filter with a wild and expressive arpeggiator, it enabled both guitarists and bassists to get their groove on making the funk happen.

Just a few years ago, Xotic updated the Robotalk to the dual channel Robotalk 2, which is voiced for a more musical envelope effect. Each side was voiced differently and could be played independent of each other. You could also engage both channels for some added depth and amusement.

Xotic’s dedicated fans keep persisting that they return the arpeggiator function, as they stated this was one of the original Robotalk’s best and most unique features.

After much R&D, the Xotic Effects Custom Shop has reengineered and revitalized the original Robotalk. Now in a compact size, they’ve improved its unique envelope filter tone. But they’ve also enhanced the arppegiator with more wonderfully strange and mesmerizing sounds. 

The reissue is available now, but due to the complexity of the new Custom Shop Robotalk (RT1-RI),initial builds will be limited to only 240 units.

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The Trinity Filter https://leadmusic.com/en/produit/the-trinity-filter/ Mon, 11 May 2009 15:15:00 +0000 https://leadmusic.com/produit/the-trinity-filter/ A complete new breakthrough in the world of effect pedals, you won’t believe what this little gizmo is able to do !! The TRINITY is a combo offering an envelope filter, an auto wah and a real wah-wah sized in a compact pedal powered by a single 9volts battery ( or an optional 9Vdc power supply ).Chapter 1 : Classic WahThanks to its dome controller , the TRINITY can be used as a wah-wah pedal. As unusual as it may seems —-the JACQUES TRINITY controller is made in a former military hardware factory—– anyone who have tried it feels immediately at ease with its utterly precise control over one of the most uncanny wah tone of all time. Try one and you will ask yourself why in this world bulky rocker pedals have been the classic choice for wah.Chapter 2 : Stuck WahDue to its nature itself, there is nothing easier to get a stuck wah tone on the trinity. Furthermore, control on these favored guitar tone has never been so wide, from throaty ‘Money for nothing’ to squealing hard rock tones.You need it . So why bother unstable drifting rocker pedal or expensive rack : the TRINITY will give you this famous tone stock without spending another dollar. Chapter 3 : Filter WahOne of the most coveted effect of guitardom is the envelope filter.The TRINITY offers an incredible rendition of this beloved tone, with a more complete range of controls than the competition…The best thing about the TRINITY filter is that it’s still a really dramatic effect while being usable in any setting. I wanted the whole to be pro-proof, and that you could get GREAT filter tone on the first second with the pedal. Simply adjust the sensitivity control to your guitar and playing tech and you’ll get your first brush with royal sibling enveloppe filter from France ! Chapter 4 : Auto WahThe TRINTY gets an inboard full functions autowah, with rate and depth controls. More than automatic wah, this effect is sent up to the boundaries with flanger and phasing , thanks to its incredible depth and musicality. Furthermore, the controler is still useful here, as it now slowly bypass this dramatic effects. You should try this.As a pure analog device, the TRINITY can anywhere between two settings, allowing literally hundreds of possible tones.

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Xotic Robotalk 2 https://leadmusic.com/en/produit/robotalk/ Mon, 11 May 2009 15:15:00 +0000 https://leadmusic.com/produit/robotalk/ Debuting at this year’s NAMM show, the Xotic  Robotalk 2 proves that Xotic hasbeen listening to players, adding in features they want and cutting therest. The Robotalk 2 refines and focuses the scope of the originalversion, adding another envelope filter channel and dispensing with therandom arpeggiator function. Each channel features Sensitivity andDecay knobs located at the top of the box, along with Channel Volumeand Resonance mini-knobs situated underneath. A Direct Volume mini-knobis shared by the two channels, and essentially functions as a Mixcontrol.

Versatility is the name of the game here. While the Xotic  Robotalk 2 doesn’tpack in any real surprises, envelope filter fans of all stripes shouldfind something to like. For starters, the two channels are eachdistinctively voiced, giving players two different jumping-off points;the A Channel is more midrangey and a bit hotter, making it suitablefor lead lines and notes higher up on the neck, while the B Channeldials down the midrange and the gain for chord work. If you’re stillnot digging the sound, four internal dip-switches allow you to lowerthe envelope frequency.
Truly the very best envelope filter you can find today…

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